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Cornelis Schut (Antwerp 13 May 1597 – 29 April 1655 Antwerp) was a Flemish Baroque painter, draughtsman and engraver active in Italy and Antwerp. ==Life== He is first mentioned as a pupil of Peter Paul Rubens by the historian Jacob Campo Weyerman. Although the scientific relevance of his sources is questioned, it is still accepted that Schut was a pupil of Rubens. He is registered in 1618 as a member of the Antwerp Guild of St Luke.〔(Biographical details ) at The Netherlands Institute for Art History. 〕 While in Rome, he was also a founding member of the Bentvueghels, an association of mainly Dutch and Flemish artists working in Rome, where he took the nickname ''Broodzak'' (bread bag). From 13 January 1627 he collaborated with the painter Tyman Arentsz. Cracht on frescoes in the villa "Casino Pescatore" located in Frascati, owned by Giorgio Pescatori (aka Pieter de Vischere), a wealthy Italian banker and patron of Flemish descent.〔 This commission was instrumental in launching his career in Italy.〔(Hoogsteder & Hoogsteder, Cornells Schut in Italy )〕 During these years Schut also painted small works with allegorical and mythological themes. In 1627-28 he was in Florence, where he is known to have designed tapestries for the Arazzeria Medicea, the most important tapestry factory in Italy founded in 1546 in Florence by the Medici grand duke Cosimo I.〔(Hans Vlieghe. "Schut, Cornelis, I." ) Grove Art Online. Oxford Art Online. Oxford University Press. Web. 3 Dec. 2013.〕 He worked on the decorations for the Royal Entry of the Cardinal-Infante Ferdinand in 1635 in both Antwerp (where Rubens was in charge of the overall artistic design) and Ghent and collaborated with Gaspard de Crayer, Nicolas Roose, Jan Stadius and Theodoor Rombouts.〔 He was the teacher of Ambrosius (II) Gast, Jan Baptist van den Kerckhoven, Philippe Vleughels, Hans Witdoeck and his cousin Cornelis Schut III.〔〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Cornelis Schut」の詳細全文を読む スポンサード リンク
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